MOEBE | Ceramic Cone Pendant
by MOEBE
Price shown includes UK VAT.
Production Time
8-12 weeks
Ceramic Cone
Pendant is a simple, focused light with a matt, fine-textured surface in unglazed clay.
Each shade is cast and fired individually, giving natural variations in form, size, and colour that make every piece unique. For the coloured versions, the first layer of white porcelain is poured out early and replaced with a tinted clay. This gives the shade its light ochre or warm umber exterior. The white version stays slightly translucent and glows gently in the evening, while the coloured versions remain opaque and cast a warmer, more focused downlight.
Colour
Light Ochre
Umber Brown
White
Cable Length
3 meters
Light source
G9 LED
Max watt: 10w LED
Voltage: 220-240v
Frequency: 50/60Hhz
Dimensions
19 x 19 x 12 cm (L x W x H)
Material
Porcelain
Shipping box
22.5 × 15 × 22.5 cm · 0.8 kg (packed)
Downloads
Shipping & Returns
Story
Sinuate & Ceramic Cone
Designer

Designed by Martin D. Christensen, Nicholas Oldroyd & Anders Thams
MOEBE was formed in Copenhagen in 2014 by architects Martin de Neergaard Christensen and Nicholas Oldroyd together with cabinetmaker Anders Thams. The three work from a studio workshop on the island of Amager.
The split between architecture and joinery shapes what they make. Each piece is built around a single visible principle of construction — tension, friction, a wedge — instead of hidden hardware, so the way an object holds itself together is the thing you notice first.
Much of the range can be assembled and taken apart by hand without tools. The studio frames this as doing more with less, and the reduction is structural rather than stylistic.
Brand
About MOEBE
A Copenhagen studio formed in 2014 by two architects and a cabinetmaker, built on doing more with less.
The architects Martin de Neergard Christensen and Nicholas Oldroyd and the cabinetmaker Anders Thams formed MOEBE in 2014. Everything is developed in their studio workshop on the island of Amager in Copenhagen.
Each design starts by asking what the core function is and what can be taken away. Materials, details and construction all have to earn their place: nothing left unthought, nothing added without meaning.



